Abstract:
The epic Kaṇṇaki Vazhakkurai and its different versions, Kōvalanār Katai and Cilampu Kūral,
are believed to be composed or compiled during the period of Kingdom of Jaffna. These are popular
in Batticaloa, Jaffna and Mullaitīvu respectively. Though these three versions may be considered as
three different works, there are similarities in their narration, division of chapters and diction; so that
it is difficult to distinguish them from one another. The similarities among these three works led the
scholars to opine that there ought to be a common source as a pioneer to these versions. This
pioneer work may have been adapted by the copyist to suit their respective claims and needs, along
with their necessity and creative ability. Though the story of Cilappatikāramis the main theme of this
epic, it preserves uniqueness profoundly in its structure, style and the narration of story. Certain
portions of the story of this epic are the sole imagination of Sri Lankan author whose name is even
now in dark. Kaṇṇaki Vazhakkurai is in abundance in recording the cultural patterns of Sri Lankan
Tamils such as art, religion, educational and literary heritage, believes, customs and habits. These
valuable facts could not be derived from other sources. As this epic has close association with folk
literature, the life style of folks is also brought out obviously. In short Kaṇṇaki Vazhakkurai and its
difference versions are the treasure trove who delves deep into the study of Sri Lankan Tamil culture.
This paper tries to bring out such cultural aspects in descriptive manner as related in Kaṇṇaki
Vazhakkurai.
