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Thiruppugazh –Worship Through Chandam

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dc.contributor.author Suhanya, A.
dc.date.accessioned 2024-09-05T04:20:10Z
dc.date.available 2024-09-05T04:20:10Z
dc.date.issued 2021
dc.identifier.issn 2582-9513
dc.identifier.uri http://repo.lib.jfn.ac.lk/ujrr/handle/123456789/10766
dc.description.abstract Hindu culture at its core is very much religious and spiritual. So the Hindu traditional music is also spiritual, in its own way. Playing classical music is like meditation: it is not only meant to entertain, but to take us to a higher domain of consciousness. The very structure of Indian classical music is spiritual. It lifts the spirit; it is for the soul. Indian music can also be a medium to self-realization. History of Tamil Thevara Mum moorthikal shows us the power of the worship through music. Pray the load by sung Thevaara Thirumuraikal got the spring of the divine blessings. Especially the Thiruppugazh hymns presented by Arunagirinaathar are that it is based entirely on a metrical pattern which varies from song to song. This pattern is called as „Chandam‟ and Arunagirinathar came to be called as the „Chanda Paavala Peruman‟, the one well versed in candam poetry. The Hindu intellectuals gave a special place for the Thiruppugazh according to the specialty of musical aspects. Thiruppugazh is the best hymns for the worship through music. Hence, this article deals with the power of the musical worship and the special musical aspects of Thiruppugazh. en_US
dc.language.iso en en_US
dc.publisher Pranav Journal en_US
dc.subject Thiruppugazh en_US
dc.subject Arunagirinaathar en_US
dc.subject Carnatic Music en_US
dc.subject Chandam en_US
dc.subject Naama sangeerthana en_US
dc.title Thiruppugazh –Worship Through Chandam en_US
dc.type Journal abstract en_US


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